Sketchbook/Writing

East New York

[reiteration]

[repeating; restatement]

[flows rip shows peep the recital]

[iteration]

Production

// Production #1//
It would have been really good if all this could  have just stayed as crap as it had been.. Cause that would have been better. //
                          // Production #2//
Better in the same way as a garbage bag, which has been emptied onto the floor, might be more interesting than any piece of art. But only as long as it thinks of itself as garbage, not as art.
//Production #3//
Once upon a time, I withdrew some money from an ATM machine in Dubai.
Since then, everything has been degenerating //Production #4//
//Production #5//
But what about LA?
         //Production #6//
and then?….to put what? on the table /// Don’t be intimidated buy this.

The Story of the Blue Eyes

Once upon a time, there was a young artist who had eyes of unusual bright blue colour. They exuded the creativity, curiosity and innocence with which he looked at the world and his fellow human beings.

The ‘Blue Eyed Artist’, as he was known, lived in an unassuming little house, which was surrounded by an evil metropolis. Unknown to his wicked landlord, the house was a refuge for fellow artists, bohemians, mavericks and other subversive elements from all over the city. They would gather there to exchange ideas, recite poetry or debate the metropolis and its merciless energy.

One fine evening, a small festivity was taking place in the parlour of the house, when a fellow artist said to the host: ‘Through your blue eyes, I can see your soul! Let me take an image thereof.’ To this, a heated debate ensued on whether an image can take a person’s soul, for good or for bad. The Blue Eyed Artist stayed quiet, at first.

‘I trust in art,’ suddenly, said he, ‘and I trust in you, my Fellow! Take my image.’ And so his image was taken.

The years went by, and the wicked landlord demanded ever more rent, so the Blue Eyed Artist had to go forth and try his luck in the evil city, let it cost what it will.

He soon lost his friends, only to find new ones of the shallow kind, and started to worship insatiable mechanisms that measure the world in zeros and ones. Yet he earned great respect for creating commercial effigies, coordinating communications for global entities and developing interfaces that allow humans to interact with machines. He was known as the ‘Blue Eyed Master’ now, and his creativity, eloquence and personality were highly regarded amongst his peers.

One day, he went on a secret assignment to an undisclosed location, where high-net-worth individuals would regularly congregate to indulge in the nectar of the green Siren. The Blue Eyed Master had gone there to sell retail concepts to unsuspecting international property developers.

He was just about to conclude an important transaction, when suddenly his evil communications device vibrated. An anonymous source had sent him a message containing nothing but a link to a subversive left wing news outlet. A shiver ran down the Blue Eyed Master’s spine. He paused for a moment and with a sense of foreboding, followed the link.

Thereupon, he was looking at a photo of himself, staring at the camera with his blue eyes. Underneath, was written: ‘Would you trust this man?’, followed by a scientific explanation of why men with cold blue eyes are untrustworthy human beings.

After a moment of shock and disbelief, he realised that he was looking at his own self as a young man in the little house many years ago. Long had he felt that he was selling his soul to the devil. Yet looking at his own mirror image, he understood that he himself, in fact, was the ‘Blue Eyed Devil’.

25: Network Instrument

The participants were shown an item, taken from the possessions of someone, who was believed to have had some form of contact with each of the participants at least once. The particular item was chosen, because it seemed most likely not to evoke associations other than its acquired operational characteristics. It was therefore considered to be better suited as an aid for the participants to delineate their personal networks without having to take into account any circumstances or events that had, at any point, led to or had contributed to the establishment [or modification] of the network [or any of its constituents part(s)] itself.

23: Rules of the House

The social science that seeks to describe the factors which determine the production, distribution and consumption of goods and services.
οίκος (‘house’) νόμος (‘rule’)

22: Nostalgia

A fellow user named Hamsa, 43, who also hangs out in the Taunusanlage, paints a […] picture of the time when heroin was still the favoured drug in the Bahnhofsviertel: “Back then, everyone was friends. People talked to each other, did things together. Now that’s all over.  These days, drug addicts can stay awake for days at a time, just looking for ways to support their habits. Any sense of community is long gone.

(source: vice.com/en_uk/read/welcome-to-germanys-crack-capital-876)